Indonesia: people, a variety of food, a beautiful cities, arts & cultures, seas, lands, islands and many more hidden places which can take our breath away. This blog consist of photos, articles, films that I've collected from many sources in the internet. Enjoy it and do come to my country to see with your own eyes, and experience how our diversity flowing in a harmony.

Wednesday, March 13, 2013

Ulos


Ulos is the traditional cloth of the Batak people of North Sumatra. Different kinds of ulos have different ceremonial significance. The ulos is normally worn draped over the shoulder or shoulders, or in weddings to ceremonially bind the bride and groom together. Ulos are traditionally hand woven and in the case of higher-quality examples are significant family heirlooms, to be worn at important events, such as funerals and weddings.

With increasing modernisation has come the decline in significance of the ulos, with many varieties no longer in demand.

History

According to Batak people, there are 3 sources of warmthness for human, sun, fire and ulos. Ulos said as warmthness source because they are living in the mountain with cold temperature. This natural condition makes the sunlight not enough give warmth especially at night. Then, they made something able to give them warmth, also believed able to give the men bravery and the women strength from infertility voodoos.

At first, Ulos only as an ordinary cloth. But later, it developed to become a symbol of love, traditional ceremony stuff, and society structural system symbol. Even Ulos believed has magical religious power and considered as 'sacred' and has special power to protect the user.

Many kind and motives has it own meaning. According to characteristic, condition, function, and some relation. When it is usedm given to whom, and which traditional ceremony like wedding, birth, death and other rituals will never run without Ulos. If Ulos used by a man, the upper called ande-ande, lower called singkot, used on head called tali-tali, bulang-bulang or detar. But, because it sacred value, not all Ulos can be used in daily activities. Ulos Jugja, Sadum, Ragidup, and Runjat only used in some occasions. In daily, male using Ulos in box pattern with black shirt named baju Kurung without shoes nor sandals.

Usage

Ulos used by female, the bottom called haen, the back called hoba-hoba and if it used as sacrf it called ampe-ampe. If used as head cover called saong, and if used to carry baby called parompa. In daily, the female using black long dress and head cover.

There are three ways to use Ulos. First, siabithononton (used). The Ulos used for this are Ragidup, Sibolang, Runjat, Djobit, Simarindjamisi, and Ragi Pangko. Second, sihadanghononton (used as head cover). The Ulos used for this are Sirara, Sumbat, Bolean, Mangiring, Surisuri and Sadum. Third, sitalitalihononton (tied at hip). Ulos used for this are Tumtuman, Mangiring and Padangrusa. Using Ulos in the right way is extremely important to make good looking and also to fulfill the philosophy meaning in Ulos. Ulos as love symbol it called mangulosi. In Batak culture, mangulosi (giving Ulos) is symbol of love to the receiver. In Mangulosi, there are common rules, mangulosi only can be done by people who has family relation or to give it to lower social status people. Like, parents can mengulosi their children, but not opposite. If want to mangulosi a child who give birth ffirst child, Ulos given is Ragidup Sinagok. Ulos given to special guest is Ulos Ragidup Silingo.

Production

Ulos made with manual loom machine. A spinner (Sorha) used to make cotton into yards. Pamanggung using to tie yards. Pagabe to hold the yard. Baliga, used to organize yards. Hatalungan ised to separating yards. Pamapan used to make the yard into cloth. Palabuan (Periuk tanah)used to saving coloring water. Ulos made of cotton and the coloring water made of barks, grass, roots, mud or leaves.

Source: http://en.wikipedia.org/wiki/Ulos

Tuesday, March 12, 2013

Ogoh-ogoh


Ogoh-ogoh are statues built for the Ngrupuk parade, which takes place on the eve of Nyepi day in BaliIndonesia. Ogoh-ogoh normally have form of mythological beings, mostly demons. As with many creative endeavours based on Balinese Hinduism, the creation of Ogoh-ogoh represents spiritual aims inspired by Hindu philosophy.

The main purpose of the making of Ogoh-ogoh is the purification of the natural environment of any spiritual pollutants emitted from the activities of living beings (especially humans). The forms of Ogoh-ogoh represent the Bhuta-Kala (Bhuta: eternal energy, Kala: eternal time), according to Hindu teachings. The imperceptible potentials of nature cannot be thoroughly explored by anyone. Philosophically, civilized men are required to manage the natural resources without damaging the environment itself.

Aside from being the symbol of Bhuta-Kala, Ogoh-ogoh is considered a symbol of modes of nature that form the malicious characters of living beings. Ogoh-ogoh are usually made by the group of artists found in villages around Bali. After being paraded on a convoy around the town, finally it is burnt to ashes in a cemetery as a symbol of self-purification.

An Ogoh-ogoh is normally standing on a pad built of timber planks and bamboos. The pad is designed to sustain the Ogoh-ogoh while it is being lifted and carried around the village or the town square. There are normally eight or more men carrying the Ogoh-ogoh on their shoulders. This procession is accompanied by orchestral music performed by the youth. The use of flares is also a main part of the parade.

During the procession, the Ogoh-ogoh is rotated counter-clockwise three times. This act is done at every T-junction and crossroad of the village. Rotating the effigies during the cremational parade and the eve of Nyepi represents the contact of the bodies with the spirits. It is intended to bewilder the evil spirits so that they go away and cease harming human beings.

The Ogoh-ogoh is a very recent addition to the Nyepi ceremonies, first appearing in Denpasar in the early 1980s. At that time, they were carefully monitored for any criticism of the Suharto regime.

Source: http://en.wikipedia.org/wiki/Ogoh-ogoh

Nyepi


Nyepi is a Balinese "Day of Silence" that is commemorated every Isaawarsa (Saka new year) according to the Balinese calendar (in 2013, it falls on March 12). It is a Hindu celebration mainly celebrated in BaliIndonesia. Nyepi, a Government holiday in Indonesia, is a day of silence, fasting and meditation for the Balinese. The day following Nyepi is also celebrated as New year.

Observed from 6 a.m. until 6 a.m. the next morning, Nyepi is a day reserved for self-reflection and as such, anything that might interfere with that purpose is restricted. The main restrictions are: no lighting fires (and lights must be kept low); no working; no entertainment or pleasure; no traveling; and for some, no talking or eating at all. The effect of these prohibitions is that Bali’s usually bustling streets and roads are empty, there is little or no noise from TVs and radios, and few signs of activity are seen even inside homes. The only people to be seen outdoors are the Pecalang, traditional security men who patrol the streets to ensure the prohibitions are being followed.

Although Nyepi is primarily a Hindu holiday, non-Hindu residents of Bali observe the day of silence as well, out of respect for their fellow citizens. Even tourists are not exempt; although free to do as they wish inside their hotels, no one is allowed onto the beaches or streets, and the only airport in Bali remains closed for the entire day. The only exceptions granted are for emergency vehicles carrying those with life-threatening conditions and women about to give birth.

On the day after Nyepi, known as Ngembak Geni, social activity picks up again quickly, as families and friends gather to ask forgiveness from one another, and to perform certain religious rituals together.

Source: http://en.wikipedia.org/wiki/Nyepi